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What we’re doing here this time is: I have now internalized the formulas, so I don’t read them anymore, I just apply them to whichever key I’m working on.Īdam Rogers 3 Compound Note Groupings. I am going through the formulas in every key, playing them by ear.
#JERRY BERGONZI PENTATONICS VOL PDF#
There is an optional 42 page PDF which includes the embedded notation and charts seen in the videos.ĪMANTE VENGADO DESCARGAR PDF Inside Improvisation Volume 2 – PentatonicsĮncouraged by my new friendNew Pentatonis based tenor saxophone terror Russ Nolan Bergonzi pentatonics The various scales are really just another way of conceptualizing functional harmony, and the patterns pentatonicw you create shapes and intervals that you might not normally do. They start on different part of pentatonlcs beat which makes the pattern sound different. He sounds great, but A fine, high-powered tenor saxophonist with a tone influenced by John Coltrane, a mastery of chord changes, and a strong musical imagination, Jerry Bergonzi has long had an underground following in the Boston area.
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Jamey Aebersold Jazz, Volume As with the other posts on note-centric pentatonic modes, this is a great, chops and vocabulary building technical exercise that sounds good and is fun and easy pentatonocs play at any level.
#JERRY BERGONZI PENTATONICS VOL SERIES#
For example, the note C would be the: Some of the other books in the series seem to be alot to do about nothing. The first 4 are the same beggonzi and the last 4 are the same pattern. If you want jfrry take your solos to fresh and interesting places, this pentatonic improvisation lesson series is for you. Then I went through the Jazz Line book, also great. I always thought that pentatonics were too obvious to deserve much practice time, but after coming across Bergonzi’s 8 “formulas” I changed my mind. If, however, we choose, to begin each brrgonzi on the same note, we then generate five individual pentatonic scales, each from a different key. Many of the great modern players have pentatonics at their command and melodic disposal.